Full Bleed exists to cultivate that fertile ground where the visual and literary arts intersect. Published annually in print and online by the Maryland Institute College of Art, our journal strives to inspire, critique, and inform the pursuits of contemporary artists and writers. We do so with the belief that aesthetic experience—those intuitive stirrings, intimacies, and insights engendered by concentrated encounters with works of art and literature—is favorable to the cause of human dignity, within individual lives and within our politics.
Our Censorship Issue, set to launch in May, will feature case studies in both contemporary and historical instances of censorship in the visual and literary arts, as well as in journalism and education. It will also include a rich variety of manifestos and ars poetica.
Contributors will include:
- Alexander D’Agostino, a Baltimore-based artist working through performance and installation.
- Carles Guerra, an art critic and curator, currently serving as Chief Curator at Museu de l’art prohibit in Barcelona.
- Marcy Rae Henry, multidisciplinary artist, poet, and author of several books, including We Are Primary Colors (DoubleCross Press).
- Elizabeth Larison, the Arts and Culture Advocacy Program Director at the National Coalition Against Censorship in New York.
- Katrina Majkut, a multidisciplinary artist with numerous museum and gallery credits, including with the SFMoMA and the Dallas Contemporary Museum.
- X. L. Méndez Ferrín, one of the most important and representative writers of contemporary Galician literature.
- Anzhelina Polonskaya, a widely-translated Russian poet and author of To the Ashes (Zephyr Press) and Take Me to Stavanger (University of Pittsburgh Press).
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